I have the audio book, which is a similar cover to the paperback. We see a bottle on the sea. In the reflection is a ship in a bottle, though in the actual bottle there is a view of New York City. The olde-worlde script the title is in, fits the story perfectly.
Even the evil characters have their own valid points for being who they are. I’m sure giving each character their own moral code isn’t an easy task, but it is certainly the key to making them believable, easy to relate to, and complex.
I LOVE Etta. Making the best of every situation and gettin’ it done. Girl has a spine and a mind of her own.
Hmm… This is difficult. Knowing why evil characters are the way they are makes it really hard to hate them. I think I’ll pick Wren. Buffoon in the extreme.
In present day New York, Etta is prepping for her violin performance, and eavesdrops on her Mum and violin tutor arguing. Nothing goes as planned, and she ends up being accosted by one of the other performers.
She wakes up on a ship in 1776. She’s been kidnapped to complete a task, and with the help of Nicholas Carter, she makes moves to get it done so she can go home to 2015.
There’s another book coming and Bracken is the queen of the cliff hanger.
Travelling through time isn’t a new concept, but this is hardly a wishy-washy half-baked idea. Alexandra has wielded her mastery of well written characters and immersive world building to fling us across the centuries at break neck speed.
Hold onto your hats folks. You’re gonna love the ride.
‘Etta stood at the same moment as Chase; only she was the one close enough to land a slap on the officer’s face. The crack of flesh on flesh stunned Nicholas, who’d leapt up to restrain his friend from lunging across the table.
“And these are the actions of a lady.” Wren sputtered.
“Aye,” Chase said approvingly, “and a damn fine one at that.”’ ~ Awkward dinner conversation.
A glass bottle with New York City in side. Underneath the bottle reflects an 18th century ship. The cover alludes to the very different worlds of both main characters.
Five families in the world are born to travel across time. Etta Spencer belongs to one of the families that has almost died out. Nicholas Carter’s family is the most powerful, controlling all timelines that it has knowledge of.
Both Etta and Nicholas are amazing characters. They work well together. I wouldn’t be able to choose a favourite from them.
For inconsistency only, Sophia. She starts as such a promising character: someone who is able to read the weaknesses of others and exploit them to her advantage. Unfortunately, that initial ability is never touched on again and, in future situations, she proves incapable of reading anything about the people around her.
Etta is preparing for her debut as a concert soloist. Despite her talent, she is debuting later than many of her peers. On the night of her solo, she witnesses the death of her beloved mentor and is shoved back into 1776.
The formidable Ironwood family is after an artefact, and prepared to kill anyone who thwarts their efforts to find it. The patriarch, Cyrus Ironwood, believes that Etta is the key to finding the object.
Mixed feelings. It increases the possibilities for the next novel, but not necessarily in directions that I like. That said, it’s emotionally satisfying.
I really loved this novel. I’ve recommended it to quite a few people already, and am looking forward to the next book in the series.
The fact that Bracken engages the dark parts of history that people usually avoid is a massive bonus, though I would have liked some more detail on those aspects. Does Nicholas interact with other people of colour? Did his foster father? Where did either of them cultivate the idea that race shouldn’t be a barrier?
The moment her realised he would only ever be a valet to a half brother who would never, ever, not in a thousand years, acknowledge him publicly as such, Nicholas had merely swallowed the bile rising in his throat and finished retying Julian’s cravat the way he preferred it to be styled.
I really enjoyed the imagery on the cover: the opposition of ship vs land, also the bottle. I imagine it represents how she feels trapped (she was kidnapped after all).
Etta for sure. She is very witty and funny, and yet outgoing and vulnerable. Nicholas is a close second though!
Pretty much anybody proud to claim the name if Ironwood. That family has some issues.
Upon the night of her violin debut, Etta is surprised by a fight between her mother and teacher, and suffers something that at first look seems like a panic attack. She witnesses her teacher murdered, and she is pushed into a worm hole by a unknown girl, who jumps with her.
Etta finds that she has special blood in her genes that allows her to time travel. She has been kidnapped under the order of the Eldest Ironwood family member and finds herself on a pirate ship traveling to New York, where she will ultimately be told what her purpose is and who will die next if she doesn’t fulfil his wishes.
Very much a cliff hanger. We are left not knowing how several storylines end and only small details of choices the characters have left. But, as this is a duology all the answers will be answered eventually.
Like Bel, I also listened to the audio book, which I felt was very good. I have never been a fan of time travel novels, and it’s really rare for me to read one that I would recommend. Unfortunately, I found this one fell onto middle ground; it was ok, but I really didn’t care much for the pacing. However, the characters held my interest in the story, and I will most likely pick up the second book to see what happens with Etta and her mother.
“You cannot fathom the distance I would travel for you.” – Nicholas to Etta
If you were able to travel to any time and place in history, where would you go, and why?
Published January 5th 2016 by Brilliance Audio
ISBN 151136114X (ISBN13: 9781511361149)